Having literally dissected the Revolver album, what’s your takeaway about The Beatles at that point in their musical evolution? You can hear them like kids in the back of a car saying: “We’re bored! We want to do something different.” That’s what’s going on with Revolver. It’s like a prog record – kind of like: “Look how many ideas we have!” And what I find fascinating is that they went from being this four-headed monster with Beatles suits on to being these four individuals going in different directions – but helping each other. Like, no one’s saying: “Come on, John, change chords on Tomorrow Never Knows.” Or, you know: “Why are we doing Indian songs? We’re from Liverpool!” It’s like that pure confidence of jumping out of the plane without a parachute and knowing you’re going to land safely. Revolver is kind of a fearless record.
