Songwriting and Production
This is so wrong… on so many levels PRS for Music suggest otherwise Source: “A tax in the middle of a crisis, on people who need the money” – is the new licence fee for live-streamed gigs a kick in the teeth for UK music? | MusicRadar
Some of the tracks on Led Zeppelin sounded like they were being jammed, but there’s a real magic in that. Good Times Bad Times is the perfect way to kick off an album; and I prefer the studio version of Dazed And Confused to the live one on The Song Remains The Same. I also…
Read More “Why I ❤️ Led Zeppelin’s debut album, by Budgie’s Burke Shelley | Louder” »
Neil Young, Lindsey Buckingham, Shakira, and others recently sold their song catalogs to the flashy music publishing upstart Hipgnosis, in deals that have implications for the future of the recording industry. Check the whole article at Source: What to Know About Music’s Copyright Gold Rush | Pitchfork
SIZZLING–geddit?–PLATTER OF THE WEEK: David Bowie – Blackstar (ISO) :: You’d think that suffering a heart attack after recording the less than holy holy Heathen would’ve warned him to resist the dark side, but nooooooooooooo. Various Artists – Moogfest 2006 Live (MVD Visual DVD) :: When it comes to aural affection, Moog synthesizer adherents are…
Read More “JEFFREY MORGAN : biographer of ALICE COOPER and THE STOOGES” »
Prince rarely gave live interviews, but when he did, he had a way of mesmerising the audience. We dug up this rare clip from 1985 when the artist agreed to talk in front of cameras for the first time ever. It’s a rather peculiar conversation in which his then-manager Steve Fargnoli (who later sued the…
Read More “Here’s Prince, Holding Court in his First Filmed Interview” »
I saw Carlos Alomar play with Iggy Pop in a couple of different venues. Always so cool and conscious of the impact he made on stage with his instrument. This is a great read. Station To Station and the Berlin Trilogy When we went to California to do Station to Station, and we did the other albums later, the Brian…
Read More “Carlos Alomar’s Golden Years with David Bowie (Interview)” »
I was always a big Generation X fan. “We wrote the Rebel Yell songs ‘Flesh for Fantasy,’ ‘Eyes Without a Face,’ and some others during rehearsals,” Stevens recalls. “But ‘Rebel Yell’ didn’t come about till we went to Electric Lady Studios to start recording. We had the music first. We ran tape as we were…
Read More “Steve Stevens: How I Wrote “Rebel Yell” | GuitarPlayer” »
“Of course, nobody knew the impact it would have at the beginning,” Rossi continued, “but even then I was aware that most of big business just kept its head down and thought, ‘We’ll let these rock’n’roll dickheads do this and it will go away’. And it did. And that annoyed me. “I mean, there was…
Read More “That day that rocked the world: the chaotic story of Status Quo’s Live Aid” »
Looking back now, 40 years on from its release, it’s impossible not to see Bad Reputation as both the peak of Thin Lizzy and the beginning of a long, drawn-out end. Brian Downey walked out not long after Gary Moore rejoined. “I was burnt out,” he says. “My health was really suffering. I needed to…
Read More “Bad Reputation: The real beginning and the real end of Thin Lizzy” »
“I have spent many years wondering about that photo of you and Bob Dylan together at the Grammys in 1997.I was at the Grammys, I think, and [longtime manager] Andy [Slater] said, “Fiona, c’mere c’mere, Bob Dylan wants to meet you.” And I was like, “What?” I went over and stood with him and told…
Read More “Fiona Apple on How She Broke Free and Made the Album of the Year | Pitchfork” »
So there you have it, for today at least. Taylor insists his time with the Stones was a great experience, with Exile On Main St particularly fresh in the mind. For 2010’s deluxe reissue, he added a new guitar part to one of the bonus songs, Plundered My Soul. “Mick had to construct a vocal…
Read More “Mick Taylor interview: A Rolling Stone in exile” »
The song was recorded for the Beggars Banquet album in early June of 1968 at Olympic Studios in London. It clocks in at a long 6 minutes and 18 seconds, although Keith’s solo track is only a little over 2 minutes long. Keith also played bass on the track as well. Parts of the recording…
Read More “Isolated Track: Keith Richards Guitar Solo On “Sympathy For The Devil” ” »
You’ve described Fate Of Nations as a turning point. Was that the first time you really felt comfortable as a solo artist? Not really. If it was about being comfortable, there wouldn’t be any point in being creative. I just needed to keep good company and, bit by bit, I made my way into that….
Read More “Robert Plant interview: my life after Led Zeppelin | Louder” »
read it all at Source: How To Record Drums Like The Beatles In 1963 – Bobby Owsinski’s Music Production Blog